We may even say that Beauty is the Authentic-Existents and Ugliness is the Principle contrary to Existence: and the Ugly is also the primal evil; therefore its contrary is at once good and beautiful, or is GOOD AND BEAUTY: and hence the one method will discover to us the Beauty-Good and the Ugliness-Evil. Enneads I,6,6
Such is the untroubled, the blissful, life of divine beings, and Evil has no place in it; if this were all, there would be no Evil but Good only, the first, the second and the third Good. All, thus far, is with the King of All, unfailing Cause of GOOD AND BEAUTY and controller of all; and what is Good in the second degree depends upon the Second-Principle and tertiary Good upon the Third. Enneads I,8,2
We teach that Virtue is not the Absolute GOOD AND BEAUTY, because we know that These are earlier than Virtue and transcend it, and that it is good and beautiful by some participation in them. Now as, going upward from virtue, we come to the Beautiful and to the Good, so, going downward from Vice, we reach Essential Evil: from Vice as the starting-point we come to vision of Evil, as far as such vision is possible, and we become evil to the extent of our participation in it. We are become dwellers in the Place of Unlikeness, where, fallen from all our resemblance to the Divine, we lie in gloom and mud: for if the Soul abandons itself unreservedly to the extreme of viciousness, it is no longer a vicious Soul merely, for mere vice is still human, still carries some trace of good: it has taken to itself another nature, the Evil, and as far as Soul can die it is dead. And the death of Soul is twofold: while still sunk in body to lie down in Matter and drench itself with it; when it has left the body, to lie in the other world until, somehow, it stirs again and lifts its sight from the mud: and this is our “going down to Hades and slumbering there.” Enneads I,8,10
It is sound, I think, to find the primal source of Love in a tendency of the Soul towards pure beauty, in a recognition, in a kinship, in an unreasoned consciousness of friendly relation. The vile and ugly is in clash, at once, with Nature and with God: Nature produces by looking to the Good, for it looks towards Order – which has its being in the consistent total of the good, while the unordered is ugly, a member of the system of evil – and besides Nature itself, clearly, springs from the divine realm, from GOOD AND BEAUTY; and when anything brings delight and the sense of kinship, its very image attracts. Enneads III,5,1