movement

Soc. And mine, too, Hermogenes. But do not be too much of a precisian, or “you will unnerve me of my strength.” When you have allowed me to add mechane (contrivance) to techne (art) I shall be at the top of my bent, for I conceive mechane to be a sign of great accomplishment — anein ; for mekos the meaning of greatness, and these two, mekos and anein, make up the word mechane. But, as I was saying, being now at the top of my bent, I should like to consider the meaning of the two words arete (virtue) and kakia (vice) arete I do not as yet understand, but kakia is transparent, and agrees with the principles which preceded, for all things being in a flux (ionton), kakia is kakos ion (going badly) ; and this evil motion when existing in the soul has the general name of kakia or vice, specially appropriated to it. The meaning of kakos ienai may be further illustrated by the use of deilia (cowardice), which ought to have come after andreia, but was forgotten, and, as I fear, is not the only word which has been passed over. Deilia signifies that the soul is bound with a strong chain (desmos), for lian means strength, and therefore deilia expresses the greatest and strongest bond of the soul ; and aporia (difficulty) is an evil of the same nature (from a not, and poreuesthai to go), like anything else which is an impediment to motion and MOVEMENT. Then the word kakia appears to mean kakos ienai, or going badly, or limping and halting ; of which the consequence is, that the soul becomes filled with vice. And if kakia is the name of this sort of thing, arete will be the opposite of it, signifying in the first place ease of motion, then that the stream of the good soul is unimpeded, and has therefore the attribute of ever flowing without let or hindrance, and is therefore called arete, or, more correctly, aeireite (ever-flowing), and may perhaps have had another form, airete (eligible), indicating that nothing is more eligible than virtue, and this has been hammered into arete. I daresay that you will deem this to be another invention of mine, but I think that if the previous word kakia was right, then arete is also right. CRATYLUS

Soc. Doxa is either derived from dioxis (pursuit), and expresses the march of the soul in the pursuit of knowledge, or from the shooting of a bow (toxon) ; the latter is more likely, and is confirmed by oiesis (thinking), which is only oisis (moving), and implies the MOVEMENT of the soul to the essential nature of each thing — just as boule (counsel) has to do with shooting (bole) ; and boulesthai (to wish) combines the notion of aiming and deliberating — all these words seem to follow doxa, and all involve the idea of shooting, just as aboulia, absence of counsel, on the other hand, is a mishap, or missing, or mistaking of the mark, or aim, or proposal, or object. CRATYLUS

Soc. In the first place, the letter r ; appears to me to be the general instrument expressing all motion (kinesis). But I have not yet explained the meaning of this latter word, which is just iesis (going) ; for the letter e (long) was not in use among the ancients, who only employed e (short) ; and the root is kiein, which is a foreign form, the same as ienai. And the old word kinesis will be correctly given as iesis in corresponding modern letters. Assuming this foreign root kiein, and allowing for the change of the e and the insertion of the n, we have kinesis, which should have been kieinsis or eisis ; and stasis is the negative of ienai (or eisis), and has been improved into stasis. Now the letter r, as I was saying, appeared to the imposer of names an excellent instrument for the expression of motion ; and he frequently uses the letter for this purpose : for example, in the actual words rein and roe he represents motion by r ; also in the words tromos (trembling), trachus (rugged) ; and again, in words such as krouein (strike), thrauein (crush), ereikein (bruise), thruptein (break), kermatixein (crumble), rumbein (whirl) : of all these sorts of MOVEMENTs he generally finds an expression in the letter r, because, as I imagine, he had observed that the tongue was most agitated and least at rest in the pronunciation of this letter, which he therefore used in order to express motion, just as by the letter i he expresses the subtle elements which pass through all things. This is why he uses the letter i as imitative of motion, ienai, iesthai. And there is another class of letters, ph, ps, s, and x, of which the pronunciation is accompanied by great expenditure of breath ; these are used in the imitation of such notions as psuchron (shivering), xeon (seething), seiesthai, (to be shaken), seismos (shock), and are always introduced by the giver of names when he wants to imitate what is phusodes (windy). He seems to have thought that the closing and pressure of the tongue in the utterance of d and t was expressive of binding and rest in a place : he further observed the liquid MOVEMENT of l, in the pronunciation of which the tongue slips, and in this he found the expression of smoothness, as in leios (level), and in the word oliothanein (to slip) itself, liparon (sleek), in the word kollodes (gluey), and the like : the heavier sound of g detained the slipping tongue, and the union of the two gave the notion of a glutinous clammy nature, as in glischros, glukus, gloiodes. The n he observed to be sounded from within, and therefore to have a notion of inwardness ; hence he introduced the sound in endos and entos : a he assigned to the expression of size, and n of length, because they are great letters : o was the sign of roundness, and therefore there is plenty of o mixed up in the word goggulon (round). Thus did the legislator, reducing all things into letters and syllables, and impressing on them names and signs, and out of them by imitation compounding other signs. That is my view, Hermogenes, of the truth of names ; but I should like to hear what Cratylus has more to say. CRATYLUS

When we heard that, we were ashamed, and refrained our tears ; and he walked about until, as he said, his legs began to fail, and then he lay on his back, according to the directions, and the man who gave him the poison now and then looked at his feet and legs ; and after a while he pressed his foot hard and asked him if he could feel ; and he said, no ; and then his leg, and so upwards and upwards, and showed us that he was cold and stiff. And he felt them himself, and said : When the poison reaches the heart, that will be the end. He was beginning to grow cold about the groin, when he uncovered his face, for he had covered himself up, and said (they were his last words) — he said : Crito, I owe a cock to Asclepius ; will you remember to pay the debt ? The debt shall be paid, said Crito ; is there anything else ? There was no answer to this question ; but in a minute or two a MOVEMENT was heard, and the attendants uncovered him ; his eyes were set, and Crito closed his eyes and mouth. PHAEDO

Soc. Yes, Theaetetus ; and there are plenty of other proofs which will show that motion is the source of what is called being and becoming, and inactivity of not-being and destruction ; for fire and warmth, which are supposed to be the parent and guardian of all other things, are born of MOVEMENT and friction, which is a kind of motion ; — is not this the origin of fire ? THEAETETUS

Str. Why, because only the most divine things of all remain ever unchanged and the same, and body is not included in this class. Heaven and the universe, as we have termed them, although they have been endowed by the Creator with many glories, partake of a bodily nature, and therefore cannot be entirely free from perturbation. But their motion is, as far as possible, single and in the same place, and of the same kind ; and is therefore only subject to a reversal, which is the least alteration possible. For the lord of all moving things is alone able to move of himself ; and to think that he moves them at one time in one direction and at another time in another is blasphemy. Hence we must not say that the world is either self-moved always, or all made to go round by God in two opposite courses ; or that two Gods, having opposite purposes, make it move round. But as I have already said (and this is the only remaining alternative) the world is guided at one time by an external power which is divine and receives fresh life and immortality from the renewing hand of the Creator, and again, when let go, moves spontaneously, being set free at such a time as to have, during infinite cycles of years, a reverse MOVEMENT : this is due to its perfect balance, to its vast size, and to the fact that it turns on the smallest pivot. STATESMAN

And this is the whole tale, of which the first part will suffice to illustrate the nature of the king. For when the world turned towards the present cycle of generation, the age of man again stood still, and a change opposite to the previous one was the result. The small creatures which had almost disappeared grew in and stature, and the newly-born children of the earth became grey and died and sank into the earth again. All things changed, imitating and following the condition of the universe, and of necessity agreeing with that in their mode of conception and generation and nurture ; for no animal ; was any longer allowed to come into being in the earth through the agency of other creative beings, but as the world was ordained to be the lord of his own progress, in like manner the parts were ordained to grow and generate and give nourishment, as far as they could, of themselves, impelled by a similar MOVEMENT. And so we have arrived at the real end of this discourse ; for although there might be much to tell of the lower animals, and of the condition out of which they changed and of the causes of the change, about men there is not much, and that little is more to the purpose. Deprived of the care of God, who had possessed and tended them, they were left helpless and defenceless, and were torn in pieces by the beasts, who were naturally fierce and had now grown wild. And in the first ages they were still without skill or resource ; the food which once grew spontaneously had failed, and as yet they knew not how to procure it, because they had never felt the pressure of necessity. For all these reasons they were in a great strait ; wherefore also the gifts spoken of in the old tradition were imparted to man by the gods, together with so much teaching and education as was indispensable ; fire was given to them by Prometheus, the arts by Hephaestus and his fellow-worker, Athene, seeds and plants by others. From these is derived all that has helped to frame human life ; since the care of the Gods, as I was saying, had now failed men, and they had to order their course of life for themselves, and were their own masters, just like the universal creature whom they imitate and follow, ever changing, as he changes, and ever living and growing, at one time in one manner, and at another time in another. Enough of the story, which may be of use in showing us how greatly we erred in the delineation of the king and the statesman in our previous discourse. STATESMAN

Str. Acuteness and quickness, whether in body or soul or in the MOVEMENT of sound, and the imitations of them which painting and music supply, you must have praised yourself before now, or been present when others praised them. STATESMAN

Str. We exclaim How calm ! How temperate ! in admiration of the slow and quiet working of the intellect, and of steadiness and gentleness in action, of smoothness and depth of voice, and of all rhythmical MOVEMENT and of music in general, when these have a proper solemnity. Of all such actions we predicate not courage, but a name indicative of order. STATESMAN

Now the creation took up the whole of each of the four elements ; for the Creator compounded the world out of all the fire and all the water and all the air and all the earth, leaving no part of any of them nor any power of them outside. His intention was, in the first place, that the animal should be as far as possible a perfect whole and of perfect parts : secondly, that it should be one, leaving no remnants out of which another such world might be created : and also that it should be free from old age and unaffected by disease. Considering that if heat and cold and other powerful forces which unite bodies surround and attack them from without when they are unprepared, they decompose them, and by bringing diseases and old age upon them, make them waste away — for this cause and on these grounds he made the world one whole, having every part entire, and being therefore perfect and not liable to old age and disease. And he gave to the world the figure which was suitable and also natural. Now to the animal which was to comprehend all animals, that figure was suitable which comprehends within itself all other figures. Wherefore he made the world in the form of a globe, round as from a lathe, having its extremes in every direction equidistant from the centre, the most perfect and the most like itself of all figures ; for he considered that the like is infinitely fairer than the unlike. This he finished off, making the surface smooth all around for many reasons ; in the first place, because the living being had no need of eyes when there was nothing remaining outside him to be seen ; nor of ears when there was nothing to be heard ; and there was no surrounding atmosphere to be breathed ; nor would there have been any use of organs by the help of which he might receive his food or get rid of what he had already digested, since there was nothing which went from him or came into him : for there was nothing beside him. Of design he was created thus, his own waste providing his own food, and all that he did or suffered taking place in and by himself. For the Creator conceived that a being which was self-sufficient would be far more excellent than one which lacked anything ; and, as he had no need to take anything or defend himself against any one, the Creator did not think it necessary to bestow upon him hands : nor had he any need of feet, nor of the whole apparatus of walking ; but the MOVEMENT suited to his spherical form was assigned to him, being of all the seven that which is most appropriate to mind and intelligence ; and he was made to move in the same manner and on the same spot, within his own limits revolving in a circle. All the other six motions were taken away from him, and he was made not to partake of their deviations. And as this circular MOVEMENT required no feet, the universe was created without legs and without feet. TIMAEUS

Thus far and until the birth of time the created universe was made in the likeness of the original, but inasmuch as all animals were not yet comprehended therein, it was still unlike. What remained, the creator then proceeded to fashion after the nature of the pattern. Now as in the ideal animal the mind perceives ideas or species of a certain nature and number, he thought that this created animal ought to have species of a like nature and number. There are four such ; one of them is the heavenly race of the gods ; another, the race of birds whose way is in the air ; the third, the watery species ; and the fourth, the pedestrian and land creatures. Of the heavenly and divine, he created the greater part out of fire, that they might be the brightest of all things and fairest to behold, and he fashioned them after the likeness of the universe in the figure of a circle, and made them follow the intelligent motion of the supreme, distributing them over the whole circumference of heaven, which was to be a true cosmos or glorious world spangled with them all over. And he gave to each of them two MOVEMENTs : the first, a MOVEMENT on the same spot after the same manner, whereby they ever continue to think consistently the same thoughts about the same things ; the second, a forward MOVEMENT, in which they are controlled by the revolution of the same and the like ; but by the other five motions they were unaffected, in order that each of them might attain the highest perfection. And for this reason the fixed stars were created, to be divine and eternal animals, ever-abiding and revolving after the same manner and on the same spot ; and the other stars which reverse their motion and are subject to deviations of this kind, were created in the manner already described. The earth, which is our nurse, clinging around the pole which is extended through the universe, he framed to be the guardian and artificer of night and day, first and eldest of gods that are in the interior of heaven. Vain would be the attempt to tell all the figures of them circling as in dance, and their juxtapositions, and the return of them in their revolutions upon themselves, and their approximations, and to say which of these deities in their conjunctions meet, and which of them are in opposition, and in what order they get behind and before one another, and when they are severally eclipsed to our sight and again reappear, sending terrors and intimations of the future to those who cannot calculate their MOVEMENTs — to attempt to tell of all this without a visible representation of the heavenly system would be labour in vain. Enough on this head ; and now let what we have said about the nature of the created and visible gods have an end. TIMAEUS

When the creator had made all these ordinances he remained in his own accustomed nature, and his children heard and were obedient to their father’s word, and receiving from him the immortal principle of a mortal creature, in imitation of their own creator they borrowed portions of fire, and earth, and water, and air from the world, which were hereafter to be restored — these they took and welded them together, not with the indissoluble chains by which they were themselves bound, but with little pegs too small to be visible, making up out of all the four elements each separate body, and fastening the courses of the immortal soul in a body which was in a state of perpetual influx and efflux. Now these courses, detained as in a vast river, neither overcame nor were overcome ; but were hurrying and hurried to and fro, so that the whole animal was moved and progressed, irregularly however and irrationally and anyhow, in all the six directions of motion, wandering backwards and forwards, and right and left, and up and down, and in all the six directions. For great as was the advancing and retiring flood which provided nourishment, the affections produced by external contact caused still greater tumult — when the body of any one met and came into collision with some external fire, or with the solid earth or the gliding waters, or was caught in the tempest borne on the air, and the motions produced by any of these impulses were carried through the body to the soul. All such motions have consequently received the general name of “sensations,” which they still retain. And they did in fact at that time create a very great and mighty MOVEMENT ; uniting with the ever flowing stream in stirring up and violently shaking the courses of the soul, they completely stopped the revolution of the same by their opposing current, and hindered it from predominating and advancing ; and they so disturbed the nature of the other or diverse, that the three double intervals (i.e. between 1, 2, 4, 8), and the three triple intervals (i.e. between 1, 3, 9, 27), together with the mean terms and connecting links which are expressed by the ratios of 3 : 2, and 4 : 3, and of 9 : 8 — these, although they cannot be wholly undone except by him who united them, were twisted by them in all sorts of ways, and the circles were broken and disordered in every possible manner, so that when they moved they were tumbling to pieces, and moved irrationally, at one time in a reverse direction, and then again obliquely, and then upside down, as you might imagine a person who is upside down and has his head leaning upon the ground and his feet up against something in the air ; and when he is in such a position, both he and the spectator fancy that the right of either is his left, and left right. If, when powerfully experiencing these and similar effects, the revolutions of the soul come in contact with some external thing, either of the class of the same or of the other, they speak of the same or of the other in a manner the very opposite of the truth ; and they become false and foolish, and there is no course or revolution in them which has a guiding or directing power ; and if again any sensations enter in violently from without and drag after them the whole vessel of the soul, then the courses of the soul, though they seem to conquer, are really conquered. TIMAEUS

These elements, therefore, God employed for the sake of distributing moisture from the belly into the veins, weaving together network of fire and air like a weel, having at the entrance two lesser weels ; further he constructed one of these with two openings, and from the lesser weels he extended cords reaching all round to the extremities of the network. All the interior of the net he made of fire, but the lesser weels and their cavity, of air. The network he took and spread over the newly-formed animal in the following manner : — He let the lesser weels pass into the mouth ; there were two of them, and one he let down by the air-pipes into the lungs, the other by the side of the air-pipes into the belly. The former he divided into two branches, both of which he made to meet at the channels of the nose, so that when the way through the mouth did not act, the streams of the mouth as well were replenished through the nose. With the other cavity (i.e. of the greater weel) he enveloped the hollow parts of the body, and at one time he made all this to flow into the lesser weels, quite gently, for they are composed of air, and at another time he caused the lesser weels to flow back again ; and the net he made to find a way in and out through the pores of the body, and the rays of fire which are bound fast within followed the passage of the air either way, never at any time ceasing so long as the mortal being holds together. This process, as we affirm, the name-giver named inspiration and expiration. And all this MOVEMENT, active as well as passive, takes place in order that the body, being watered and cooled, may receive nourishment and life ; for when the respiration is going in and out, and the fire, which is fast bound within, follows it, and ever and anon moving to and fro, enters through the belly and reaches the meat and drink, it dissolves them, and dividing them into small portions and guiding them through the passages where it goes, pumps them as from a fountain into the channels of the veins, and makes the stream of the veins flow through the body as through a conduit. TIMAEUS

Let us once more consider the phenomena of respiration, and enquire into the causes which have made it what it is. They are as follows : — Seeing that there is no such thing as a vacuum into which any of those things which are moved can enter, and the breath is carried from us into the external air, the next point is, as will be dear to every one, that it does not go into a vacant space, but pushes its neighbour out of its place, and that which is thrust out in turn drives out its neighbour ; and in this everything of necessity at last comes round to that place from whence the breath came forth, and enters in there, and following the breath, fills up the vacant space ; and this goes on like the rotation of a wheel, because there can be no such thing as a vacuum. Wherefore also the breast and the lungs, when they emit the breath, are replenished by the air which surrounds the body and which enters in through the pores of the flesh and is driven round in a circle ; and again, the air which is sent away and passes out through the body forces the breath inwards through the passage of the mouth and the nostrils. Now the origin of this MOVEMENT may be supposed to be as follows. In the interior of every animal the hottest part is that which is around the blood and veins ; it is in a manner on internal fountain of fire, which we compare to the network of a creel, being woven all of fire and extended through the centre of the body, while the outer parts are composed of air. Now we must admit that heat naturally proceeds outward to its own place and to its kindred element ; and as there are two exits for the heat, the out through the body, and the other through the mouth and nostrils, when it moves towards the one, it drives round the air at the other, and that which is driven round falls into the fire and becomes warm, and that which goes forth is cooled. But when the heat changes its place, and the particles at the other exit grow warmer, the hotter air inclining in that direction and carried towards its native element, fire, pushes round the air at the other ; and this being affected in the same way and communicating the same impulse, a circular motion swaying to and from is produced by the double process, which we call inspiration and expiration. TIMAEUS

Ath. The MOVEMENT of the body has rhythm in common with the MOVEMENT of the voice, but gesture is peculiar to it, whereas song is simply the MOVEMENT of the voice. LAWS BOOK II

Ath. And the MOVEMENT of the body, when regarded as an amusement, we termed dancing ; but when extended and pursued with a view to the excellence of the body, this scientific training may be called gymnastic. LAWS BOOK II

Ath. Enough of wrestling ; we will now proceed to speak of other MOVEMENTs of the body. Such motion may be in general called dancing, and is of two kinds : one of nobler figures, imitating the honourable, the other of the more ignoble figures, imitating the mean ; and of both these there are two further subdivisions. Of the serious, one kind is of those engaged in war and vehement action, and is the exercise of a noble person and a manly heart ; the other exhibits a temperate soul in the enjoyment of prosperity and modest pleasures, and may be truly called and is the dance of peace. The warrior dance is different from the peaceful one, and may be rightly termed Pyrrhic ; this imitates the modes of avoiding blows and missiles by dropping or giving way, or springing aside, or rising up or falling down ; also the opposite postures which are those of action, as, for example, the imitation of archery and the hurling of javelins, and of all sorts of blows. And when the imitation is of brave bodies and souls, and the action is direct and muscular, giving for the most part a straight MOVEMENT to the limbs of the body — that, I say, is the true sort ; but the opposite is not right. In the dance of peace what we have to consider is whether a man bears himself naturally and gracefully, and after the manner of men who duly conform to the law. But before proceeding I must distinguish the dancing about which there is any doubt, from that about which there is no doubt. Which is the doubtful kind, and how are the two to be distinguished ? There are dances of the Bacchic sort, both those in which, as they say, they imitate drunken men, and which are named after the Nymphs, and Pan, and Silenuses, and Satyrs ; and also those in which purifications are made or mysteries celebrated — all this sort of dancing cannot be rightly defined as having either a peaceful or a warlike character, or indeed as having any meaning whatever and may, I think, be most truly described as distinct from the warlike dance, and distinct from the peaceful, and not suited for a city at all. There let it lie ; and so leaving it to lie, we will proceed to the dances of war and peace, for with these we are undoubtedly concerned. Now the unwarlike muse, which honours in dance the Gods and the sons of the Gods, is entirely associated with the consciousness of prosperity ; this class may be subdivided into two lesser classes, of which one is expressive of an escape from some labour or danger into good, and has greater pleasures, the other expressive of preservation and increase of former good, in which the pleasure is less exciting ; — in all these cases, every man when the pleasure is greater, moves his body more, and less when the pleasure is less ; and, again, if he be more orderly and has learned courage from discipline he waves less, but if he be a coward, and has no training or self-control, he makes greater and more violent MOVEMENTs, and in general when he is speaking or singing he is not altogether able to keep his body still ; and so out of the imitation of words in gestures the whole art of dancing has arisen. And in these various kinds of imitation one man moves in an orderly, another in a disorderly manner ; and as the ancients may be observed to have given many names which are according to nature and deserving of praise, so there is an excellent one which they have given to the dances of men who in their times of prosperity are moderate in their pleasures — the giver of names, whoever he was, assigned to them a very true, and poetical, and rational name, when he called them Emmeleiai, or dances of order, thus establishing two kinds of dances of the nobler sort, the dance of war which he called the Pyrrhic, and the dance of peace which he called Emmeleia, or the dance of order ; giving to each their appropriate and becoming name. These things the legislator should indicate in general outline, and the guardian of the law should enquire into them and search them out, combining dancing with music, and assigning to the several sacrificial feasts that which is suitable to them ; and when he has consecrated all of them in due order, he shall for the future change nothing, whether of dance or song. Thenceforward the city and the citizens shall continue to have the same pleasures, themselves being as far as possible alike, and shall live well and happily. LAWS BOOK VII

Ath. If, my friend, we say that the whole path and MOVEMENT of heaven, and of all that is therein, is by nature akin to the MOVEMENT and revolution and calculation of mind, and proceeds by kindred laws, then, as is plain, we must say that the best soul takes care of the world and guides it along the good pAth. LAWS BOOK X

Ath. Of what nature is the MOVEMENT of mind ? — To this question it is not easy to give an intelligent answer ; and therefore I ought to assist you in framing one. LAWS BOOK X

Ath. Of these two kinds of motion, that which moves in one place must move about a centre like globes made in a lathe, and is most entirely akin and similar to the circular MOVEMENT of mind. LAWS BOOK X

And one may judge, perhaps, for brevity’s sake how the human race needs number, by glancing at the arts — and yet that too is a great matter — but if you note the divinity of birth, and its mortality, in which awe of the divine must be acknowledged, and real number, (978a) it is not anybody who can tell how great is the power which we owe to the accompaniment of number as a whole — for it is clear that everything in music needs a distinct numeration of MOVEMENT and notes — and above all, how it is the cause of all good things ; and that it is the cause of no evil thing is a point that must be well understood, as it may be quickly enough. Nay, the motion that we may call unreasoned and unordered, lacking shape and rhythm and harmony, and everything that has a share of some evil, (978b) is deficient in number altogether ; and in this light must the matter be regarded by him who means to end his life in happiness. And no one who does not know the just, the good, the honorable and all the rest of such qualities, with a hold on true opinion, will number them off so as fully to persuade both himself and his neighbor. EPINOMIS BOOK XII

With a mind full of these thoughts, on the top of my previous convictions, I crossed over to Syracuse — led there perhaps by chance — but it really looks as if some higher power was even then planning to lay a foundation for all that has now come to pass with regard to Dion and Syracuse — and for further troubles too, I fear, unless you listen to the advice which is now for the second time offered by me. What do I mean by saying that my arrival in Sicily at that MOVEMENT proved to be the foundation on which all the sequel rests ? I was brought into close intercourse with Dion who was then a young man, and explained to him my views as to the ideals at which men should aim, advising him to carry them out in practice. In doing this I seem to have been unaware that I was, in a fashion, without knowing it, contriving the overthrow of the tyranny which ; subsequently took place. For Dion, who rapidly assimilated my teaching as he did all forms of knowledge, listened to me with an eagerness which I had never seen equalled in any young man, and resolved to live for the future in a better way than the majority of Italian and Sicilian Greeks, having set his affection on virtue in preference to pleasure and self-indulgence. The result was that until the death of Dionysios he lived in a way which rendered him somewhat unpopular among those whose manner of life was that which is usual in the courts of despots. LETTERS LETTER VII

Then, I said, we must take Damon into our counsels ; and he will tell us what rhythms are expressive of meanness, or insolence, or fury, or other unworthiness, and what are to be reserved for the expression of opposite feelings. And I think that I have an indistinct recollection of his mentioning a complex Cretic rhythm ; also a dactylic or heroic, and he arranged them in some manner which I do not quite understand, making the rhythms equal in the rise and fall of the foot, long and short alternating ; and, unless I am mistaken, he spoke of an iambic as well as of a trochaic rhythm, and assigned to them short and long quantities. Also in some cases he appeared to praise or censure the MOVEMENT of the foot quite as much as the rhythm ; or perhaps a combination of the two ; for I am not certain what he meant. These matters, however, as I was saying, had better be referred to Damon himself, for the analysis of the subject would be difficult, you know ? THE REPUBLIC BOOK III

Whereas, our argument shows that the power and capacity of learning exists in the soul already ; and that just as the eye was unable to turn from darkness to light without the whole body, so too the instrument of knowledge can only by the MOVEMENT of the whole soul be turned from the world of becoming into that of being, and learn by degrees to endure the sight of being, and of the brightest and best of being, or, in other words, of the good. THE REPUBLIC BOOK VII