2. The born lover, to whose degree the musician also may attain- and then either come to a stand or pass beyond- has a certain memory of beauty but, severed from it now, he no longer comprehends it: spellbound by visible loveliness he clings amazed about that. His lesson must be to fall down no longer in bewildered delight before some, one embodied form; he must be led, under a system of mental discipline, to beauty everywhere and made to discern the One<One Principle underlying all, a Principle apart from the material forms, springing from another source, and elsewhere more truly present. The beauty, for example, in a noble course of life and in an admirably organized social system may be pointed out to him- a first training this in the loveliness of the immaterial- he must learn to recognise the beauty in the arts, sciences, virtues; then these severed and particular forms must be brought under the one<one principle by the explanation of their origin. From the virtues he is to be led to the Intellectual-Principle, to the Authentic-Existent; thence onward, he treads the upward way.
MacKenna: Tratado 20,2 (I, 3, 2) — O amante
- A dialética platônica
- Ascensão — Três Tipos de Homens
- Bouillet: Tratado 20 (I, 3) – DE LA DIALÉCTlOUE OU DES MOYENS D’ÉLEVER L’ÂME AU MONDE INTELLIGIBLE.
- Bréhier: Tratado 20 (I, 3) — De la dialectique
- Dialética
- Enéada I, 3 – Sobre a dialética
- Enéada I, 3 (20) — Sobre a Dialética (capítulo 1)
- Enéada I, 3 (20) — Sobre a Dialética (capítulo 2)
- Enéada I, 3 (20) — Sobre a Dialética (capítulo 3)
- Enéada I, 3 (20) — Sobre a Dialética (capítulo 4)