Guthrie: Tratado I,5 (I,6,5) — Amor da beleza explicado pela aversão ao oposto

THE CAUSE OF THESE EMOTIONS IS THE INVISIBLE SOUL.

5. Let us now propound a question about experiences to these men who feel love for incorporeal beauties. What do you feel in presence of the noble occupations, the good morals, the habits of temperance, and in general of virtuous acts and sentiments, and of all that constitutes the beauty of souls? What do you feel when you contemplate your inner beauty? What is the source of your ecstasies, or your enthusiasms? Whence come your desires to unite yourselves to your real selves, and to refresh yourselves by retirement from your bodies? Such indeed are the experiences of those who love genuinely. What then is the object which causes these, your emotions ? It is neither a figure, nor a color, nor any size; it is that (colorless) invisible soul, which possesses a wisdom equally in visible; this soul in which may be seen shining the splendor of all the virtues, when one discovers in one self, or contemplates in others, the greatness of character, the justice of the heart, the pure temperance, the imposing countenance of valor, dignity and modesty, proceeding alone firmly, calmly, and imperturbably; and above all, intelligence, resembling the divinity, by its brilliant light. What is the reason that we declare these objects to be beautiful, when we are transported with admiration and love for them? They exist, they manifest themselves, and whoever beholds them will never be able to restrain himself from confessing them to be veritable beings. Now what are these genuine beings? They are beautiful.

LOVE OF BEAUTY EXPLAINED BY AVERSION FOR OPPOSITE.

But reason is not yet satisfied; reason wonders why these veritable beings give the soul which experiences them the property of exciting love, from which proceeds this halo of light which, so to speak, crowns all virtues. Consider the things contrary to these beautiful objects, and with them compare what may be ugly in the soul. If we can discover of what ugliness consists, and what is its cause, we shall have achieved an important element of the solution we are seeking. Let us picture to ourselves an ugly soul; she will be given up to intemperance; and be unjust, abandoned to a host of passions, troubled, full of fears caused by her cowardliness, and of envy by her degradation; she will be longing only for vile and perishable things; she will be entirely depraved, will love nothing but impure wishes, will have no life but the sensual, and will take pleasure in her turpitude. Would we not explain such a state by saying that under the very mask of beauty turpitude had invaded this soul, brutalized her, soiled her with all kinds of vices, rendering her incapable of a pure life, and pure sentiments, and had reduced her to an existence obscure, infected with evil, poisoned by lethal germs; that it had hindered her from contemplating anything she should, forcing her to remain solitary, because it misled her out from herself towards inferior and gloomy regions ? The soul fallen into this state of impurity, seized with an irresistible inclination towards the things of sense, absorbed by her intercourse with the body, sunk into matter, and having even received it within herself, has changed form by her ad mixture with an inferior nature. Not otherwise would be a man fallen into slimy mud, who no longer would present to view his primitive beauty, and would exhibit only the appearance of the mud that had defiled him; his ugliness would be derived from something foreign ; and to recover his pristine beauty he would have to wash off his defilement, and by purification be restored to what he once was.

UGLINESS IS ONLY A FOREIGN ACCRETION.

We have the right to say that the soul becomes ugly by mingling with the body, confusing herself with it, by inclining herself towards it. For a soul, ugliness consists in being impure, no longer unmingled, like gold tarnished by particles of earth. As soon as this dross is removed, and nothing but gold remains, then again it is beautiful, because separated from every foreign body, and is restored to its unique nature. Likewise the soul, released from the passions begotten by her intercourse with the body when she yields herself too much to it, delivered from exterior impressions, purified from the blemishes contracted from her alliance with the body that is, reduced to herself, she lays aside that ugliness which is derived from a nature foreign to her.

GUTHRIE, K. S. Plotinus: Complete Works: In Chronological Order, Grouped in Four Periods. [single Volume, Unabridged]. [s.l.] CreateSpace Independent Publishing Platform, 2017.