Guthrie: Tratado 27 (IV, 3, 14) – PLOTINOS SHOWS MEN ADD TO THE BEAUTY OF THE WORLD

BY A PUN ON “WORLD” AND “ADORNMENT,” PLOTINOS SHOWS MEN ADD TO THE BEAUTY OF THE WORLD.

14. That is how this world, which already contains many lights, and which is illuminated by souls, finds itself still further adorned by the various beauties derived from different beings. It receives beauties from the intelligible divinities and from the other intelligences which furnish it with souls. This is probably the allegorical intent of the following myth.

BY A PUN ON “PROMETHEUS” AND “PROVIDENCE,” PLOTINOS EMPLOYS THE MYTH OF PANDORA.

(Following both Hesiod and the Gnostics, Plotinos relates that) a woman was formed by Prometheus, and adorned by the other divinities. This piece of clay, after having been kneaded with water, was endowed with a human voice, and received a form similar to the deities. Then Venus, the Graces and the other deities each gave her a gift. That is why this woman was called Pandora, because (as her name implies, in Greek) she had received gifts, which had been given by all the divinities. All, in fact, made some present to this piece of clay already fashioned by some kind of providence (“Prometheia,” or “Prometheus”). When Epimetheus rejects the gift of Prometheus, it only indicates that it is better to live in the intelligible world. The creator of Pandora, however, is bound because he seems attached to his work. But this bond is entirely exterior, and it is broken by Hercules, because the latter possesses a liberating power. Whatever other interpretation the myth of Pandora may receive, it must still signify gifts received by the world, and its import must agree with our teaching.