THE STARS’ MOTIONS COMPARED TO A PREARRANGED DANCE.
33. As the circular movement of the world has nothing fortuitous, inasmuch as it is produced conformably to the reason of this great animal, a perfect symphonic (co-operation) between what “acts” and what “reacts” must exist within it; and there must also have been an order which would co-ordinate things one with another, so that at each of the phases of the circular movement of the world there might be a correspondence between the various beings subject to it, as if, in a varied choric ballet the dancers formed a single figure. As to our own modern dances, it is easy to explain the eternal things which contribute thereto, and which differ for every motion, like the sounds of the flute, the songs, and the other circumstances which are thereto related. It is not however as easy to conceive the motions of a person who conforms himself strictly to each figure, who accompanies, who raises one limb, or lowers another, who moves this limb, or holds the other limb motionless in a different attitude. The dancer’s eyes are doubtless fixed on some further aim while his limbs are still responding to the motions inspired by the music, by co-operating in expressing them, and in completing them symmetrically. Likewise, a man learned in the art of dancing could explain the reason that, in such a figure, such a limb is raised, such a limb is bent, while others are hidden or lowered; not indeed that the dancer deliberates about these different attitudes, but because in the general movement of his body he considers such a posture suitable to such a limb to fulfil its proper part in the dance. Likewise do the stars produce certain facts, and announce other ones. The entire world realizes its universal life by causing the motion of the greater parts it comprises, by ceaselessly changing the figures, so that the different positions of the parts, and their mutual relations may determine the rest, and that things may occur as in a movement executed by a single moving living organism. Thus such a state is produced by such an attitude, such positions, such figures; while some other state is produced by some other kind of figures, and so forth. Consequently, the real authors of what is occurring do not seem to be those who carry out the figures, but He who commands them; and He who plans the figures does not do one thing while busying Himself with another, because He is not acting on something different from Himself; He himself is all the things that are done; He here is the figures (formed by the universal movement), He himself there is the resultant passions in the animal so moved and constituted by nature, simultaneously “active” and “passive” as the result of necessary laws.