2. The born lover, to whose degree the musician also may attain- and then either come to a stand or pass beyond- has a certain memory of beauty but, severed from it now, he no longer comprehends it: spellbound by visible loveliness he clings amazed about that. His lesson must be to fall down no longer in bewildered delight before some, one embodied form; he must be led, under a system of mental discipline, to beauty everywhere and made to discern the One<One Principle underlying all, a Principle apart from the material forms, springing from another source, and elsewhere more truly present. The beauty, for example, in a noble course of life and in an admirably organized social system may be pointed out to him- a first training this in the loveliness of the immaterial- he must learn to recognise the beauty in the arts, sciences, virtues; then these severed and particular forms must be brought under the one<one principle by the explanation of their origin. From the virtues he is to be led to the Intellectual-Principle, to the Authentic-Existent; thence onward, he treads the upward way.
MacKenna: Tratado 20,2 (I, 3, 2) — O amante
- Inteligível
- MacKenna: Tratado 20 (I, 3) – ON DIALECTIC [THE UPWARD WAY].
- MacKenna: Tratado 20,1 (I, 3, 1) — A dialética como método de escalada
- MacKenna: Tratado 20,2 (I, 3, 2) — O amante
- MacKenna: Tratado 20,3 (I, 3, 3) — O filósofo
- MacKenna: Tratado 20,4 (I, 3, 4) — Definição de dialética
- MacKenna: Tratado 20,5 (I, 3, 5) — Origem e valor da dialética.
- MacKenna: Tratado 20,6 (I, 3, 6) — As partes da filosofia e a realização da dialética
- Plotin: De la dialectique et de l’âme
- Thomas Taylor: Tratado 20 (I, 3) — ON DIALECTIC.